Photo by Roberta Sant’Anna
This past weekend, the magnificent Schloss Britz in Berlin hosted the premiere of Cantata Ayabás, a unique symphonic work by renowned Brazilian maestra and composer Andréa Huguenin Botelho. The event was an overwhelming success, selling out both nights and attracting a diverse international audience that included Berlin residents, members of the Brazilian community, classical music lovers, Afro-Brazilian culture enthusiasts, and notable journalists.
Cantata Ayabás was performed by an ensemble of more than 60 musicians and choristers, bringing together talents from Brazil, Germany, France, Poland, Ukraine, and other countries. The concert, inspired by the female deities of Candomblé and Yoruba traditions, highlighted the strength and spirituality of the Ayabás – goddesses like Nanã, Ewá, Obá, Oxum, Oyá, and Yemanjá, who embody natural elements and feminine power.
Photo by Roberta Sant’Anna
On both nights, Andréa Botelho took the stage visibly moved, greeted by enthusiastic applause. Solists Adriane Queiróz and Natalia Srycka stood out in their portrayal of the Ayabás, donning gold and blue costumes in homage to Oxum and Yemanjá, respectively. At the conclusion of each performance, Botelho was presented with flowers and engaged with the German and international press.
“My goal with this Cantata is to bring the beauty and essence of Afro-Brazilian cultures to the European stage,” Botelho said. “We live in deeply divided times, and the Ayabás remind us of the power of spirituality and culture to unite us.”
Photo by Roberta Sant’Anna
Cantata Ayabás marks an important milestone in Botelho’s career, as she has spent 16 years promoting Brazilian music globally, particularly in Germany. With plans to take the work to other countries, the cantata is expected to continue enchanting new audiences and celebrating the richness of Afro-Brazilian heritage worldwide.
